I belong to the tradition of vessel makers. I work in clay, on the wheel, forming containers for flowers, food, air. Clay is the skin to contain a volume, the line to draw a profile. I think of long tall vessels as forms that stand as a person, defining and incorporating space. I feel a kinship with Chinese ceramics and like to sketch vases to understand the success of their curves, the space they envelop and the space they exclude.
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