For me, the “creation of unknown beings” requires the collaboration of my companion, CLAY. I do not approach CLAY with a preconceived notion of what will result from our encounter. The process of handling the clay stimulates and informs my creative process. Much depends on the plasticity of the clay, which can vary considerably. Much also depends on the tools which I use to shape the clay and create textures.
Tom Schottman
For me, the “creation of unknown beings” requires the collaboration of my companion, CLAY. I do not approach CLAY with a preconceived notion of what will result from our encounter. The process of handling the clay stimulates and informs my creative process. Much depends on the plasticity of the clay, which can vary considerably. Much also depends on the tools which I use to shape the clay and create textures.